Duomo’s Rooftop, A Sculpture Garden In The Sky

My favorite part about visiting the Duomo was the rooftop.  I’ve been to cathedral’s (like Strasbourg) where you can visit the bell tower, but I don’t know of any where you can visit the roof.  The Duomo’s is filled with statues (there are over 135 spires and 10x more statues), making the rooftop a sort of sculpture gallery with a stellar view of the city.

We always try to take the stairs, so we bought a ticket for the stairs instead of the elevator.  On a 35-degree day, it was an economically good, but exceptionally hot choice.  With views like these, who cares?

I brought my big lens with me and had a blast playing with it.

All of the statues are different.  Many of the ones that depict martyred saints were a bit gory.

The perspective was fascinating.   It was like walking through a forest of spires and statues.  I don’t like open heights, but there was no way I was missing this!

Galleria Vittorio Emanuele II

Next to Milan’s Duomo, is Galleria Vittorio Emanuele II, a four-story glass-covered shopping arcade.

We sat down for our first of several coffees at the Campari Cafe, just inside the opening.  The cappuccinos were the best these caffeine addicts had ever tasted.  I’m not exaggerating.  It was the best coffee I’d ever had.  Sitting on the patio, we had front row seats for some great people watching.   I am sure that people in Geneva and other places are just as interesting, but the culture is so private that you feel bad staring.  In Milan, everyone is there to see and be seen, so it feels perfectly acceptable.

Campari was invented in this historic café.  Giuseppe Verdi and Auturo Toscanini used to hangout here after a performance at the nearby La Scala Opera House.

Galleria Vittorio Emanuele II was built right after Italian unification in 1870 to be a showplace for modern Milan.  This patriotic, art deco building still is.

It was Milan’s first building with electric lighting.

Guiseppe Mengoni designed it, but tragically plummeted to his death from the scuffling just weeks before it was finished.

For good luck, locals (and tons of tourists) spin on one of the floor’s mosaics.  The mosaic is of a bull, Milan’s symbol.  You don’t just step on any part of it.  You spin, grinding your foot into its, um, what’s the word for cojones in Italian?  We saw over a dozen people do it.   People walked out of their way to do a quick spin before continuing with their business.

I’m all for breaking some balls, but the extraordinary amount of wear and tear means that the poor bull gets a new set every few years.  The ground is permanently indented there.